Your Face

I want to photograph it. I want to draw it. I want to pixel it. I want to paint it. 
You have such an interesting face, it tells so many stories. 


A few quick portraits I did in September of some wonderfully talented and inspiring ladies I know on social media or in person. Each of these ladies rocks the profession they work in and make for some great personal role models. 


Inktober has begun! I'm doing my best to keep up this year.  If you follow me on instagram (@myasharona) you'll see them update there first. If you're not sure what #inktober is, well give it a google. If you're an artist yourself, it's never too late to join in. Grab some ink and don't forget to hashtag so other artists can find your work. 

MOOCS - Art & Concepts

I've been taking an online course about Art & Concepts in Game Design (because I enjoy games and art) and after my first program I had two assignments geared towards demonstrating my understanding of the lessons.  As you can tell from the assignments I created, while simplistic in concept, I had lots of fun putting together the visuals. 

Assignment for week 1 and 2

Assignment for week 1 and 2

Assignment for Week 3 and 4

Assignment for Week 3 and 4

That Patreon Thing

For a long while now, approximately 8 months or so, colleagues and pals have been encouraging me to set up a patreon account because 'you never know'. 

Patreon-in case you don't know-is a site designed to allow creators a way to crowd source ongoing projects and creative endeavors. Basically anyone who wants to throw a few bucks your way every month, can do so through this website. It encourages you to build a following and a community of support. You set the limit on what you want to contribute and as such you begin a dialogue or relationship with the artist about their work and they keep you in the loop as their projects develop.

I've been watching Patreon over the last year increase in popularity. Some people are having great success funding their artist life while others are simply finding a few extra bucks from friends and family to help buy extra tubes of paint. 
My current perception is that creators with an already established following benefit the most from this program, that launching without some sort of product and subscription backing is less 'successful'. 

None the less, I have some great ideas and projects and so I finally hit that "launch" button. after filling in my creation promises, mumbling my way through a 'please support me' video and essentially pouring over my trepidation about asking anyone for anything just because I happen to be an artist.  I ask that you take a moment and check out my patreon page and see some of the projects that I have been working on. BUT I also encourage you to have a look around patreon in general. 
There are a lot of artists, of all kinds, who are making really fun and exciting things and if you ever wanted to support an artist directly, this is a great way to do it. 


Click the button below to see me patreon page. 

Painting on the Sculpt

The ZBrush-KeyShot-Photoshop experience continues today with a little painting practice. I selected a quick and dirty bust made from sphere in Zbrush and brought it into Keyshot. Unfortunately I had some hardware issues as it turns out keyshot is a beast and uses 100% of my CPU resources unless my render is set small. 
It was a struggle but I managed to get 3 renders of my sculpt out of light shot before I decided to bring it in to photoshop and get used to painting over a sculpt. 
I first layered all 3 of the renders as such: 

As you can see, there was something a little funky with my mesh in the front forehead area. Also, because this was a quick and dirty sculpt, it's fairly stylized with big disproportionate eyes, bulbous nose, and shortened cranium. 
For the purposes of this exercise I wanted it to be obvious that realism was not my end goal. 

So after getting these three renders in Keyshot for hair, skin, and shirt, I then took the image - which is now flat 2D image- and brought it into Photoshop. 
I layers all 3 of these images and removed, masked until I had beige skin, brown hair, and blue shirt. I then created a new layer and set it to overlay, and did the same with my brush and began painting. When the basic blending and colour blocking was done I created a new normal layer and put in some more opaque details. 

The end result is a little more 'soft' than I would like, it gets a little muddy in the nose area but I'm well on my way to figuring out the right balance to paint over my sculpts. 

More Floating Tree

Update to include some the extra work I did on it this afternoon.

Yesterday and today I took my model from ZBrush into Keyshot and immediately discovered something I had not considered when making my model. It turns out that in order to use keyshot to apply different materials to different areas of the model they each need to be a subtool in ZBrush and not all one part of the same mesh. Now, in hindsight that seems obvious but it's not outside the realm of possibility that I would have been able to mask off the different areas to apply textures, materials, and such to specific areas. BUT such is the game when learning something new. There may still be a way to do this masking but I believe I can make my modeling experience MUCH easier if I just ensure that my model includes subtools. 

So in familiarizing myself with this application I played around with the various materials that are in keyshot. I also have done some exploration of light source and texture but the big "GLAMOUR" change is easily the materials. I took some screen grabs to show you what I mean. You can easily see how this little change in materials on my sculpt can really trigger the possibilities and also force you to consider you materials when designing your sculpt. You've got to keep the end goal in mind right from the beginning. It's a fun was of working that take a bit more planning and forethought that I am going to thoroughly enjoy. 

Check out the screens. :)